Wednesday, September 19, 2007

Steak with Blue Cheese

A Kind of Truth

Ribeye Steak

The farm I grew up on was named Direenfinhilid. This is a Gaelic word and means "pretty little oak wood." My parents named it this because they built the house in a spot on the property surrounded primarily by second growth oaks, red and white, most of which were 80 to 100 years old.

In the woods on the hillside below and behind the house there were a collection of half a dozen ditches about eight feet long, two feet deep, with the earth from the ditches pitched on the downhill side. My parents told us these earthworks were there to collect rainwater for making moonshine, and it is only at this moment, writing this down, that I've thought to question that explanation. There was certainly no physical evidence — no shards of steel or copper, no rotten grain sacks, no broken bottles — other than the ditches themselves to support that explanation. I can’t think of another reason for these earthworks, but this is a case where the objective truth is irrelevant. I grew up thinking those ditches we used as forts when playing War or Cowboys-and-Indians, or as leaping off points for swinging on the heavy vines that hung from the forest canopy when friends visited, were a connection to my East Tennessee past.

I grew up eating beef that was fed on grass — and leaves and acorns and bark and whatever else those fool animals wanted to munch on

In no small part, this tale formed my view of the world.

Truth is what forms us. Or more accurately, we are formed by what we take as truth. Some truths, like Santa Claus are explicitly unveiled as myths as we grow up, others like the moonshiner ditches or God we simply avoid thinking about too closely. We deliberately, and sometimes unconsciously, hold on to these tales because they have become woven into our being in some way and continuing to believe causes no harm to us.

A few days ago I bought a steak. Not something I do very often. Good steak is expensive and cheap steak isn't worth buying. For my most-remembered years at Direenfinhilid we raised a few head of cattle, just enough to keep the place classified as a farm and minimize the taxes my folks had to pay. (Although, I think my father would have gone full-time in a heartbeat if he'd had an excuse — he adored that chunk of ground with a passion I don’t begin to understand. He had faith in its innate goodness.)

This means I grew up eating beef that was fed on grass — and leaves and acorns and bark and whatever else those fool animals wanted to munch on (and cows are fool animals). Whenever we had beef, we knew the name of the animal that was feeding us. One year it was Maytag, the next Brown Cow, the next some other beast. As a callow boy I wasn't aware of the deep connection knowing the animal's name made, but it did.

My brief flirtation with vegetarianism was indeed brief, you can’t form any sort of a personal connection with a particular ear of corn or tomato. Rather than being off-putting, knowing the name of a cow — and I'm sure a pig or chicken — carries a kind of mythology with it. According to our white mythology (and perhaps in fact), the native Americans knew this and thanked the spirits of the animals they ate. This is a good thing. Eating becomes a conscious and conscientious act.

A few days ago I came home from the farmers' market with a ribeye steak from a grass-fed cow. I don’t know that the cow had a name. I didn't ask. It didn’t matter. I knew from knowing the rancher and my adolescence it was cared for. I suspected the steak would be tough. I knew it would be packed with flavor.

Poor meat needs a sauce to make up for its lack of flavor. Good meat should be left alone. Great meat can stand up against a sauce and create an extraordinary gestalt. I made a pan sauce for this ribeye.

Click to enlarge.

The steak weighed about six ounces and was only half an inch thick. That meant it needed to go into a hot (cast iron) skillet for a 40 second sear on each side in olive oil, which with salt an pepper was the only flavor added directly to it. When the steak came out (to rest under foil) I cooled the skillet to medium off the heat then added minced shallot until it began to brown. Then red wine (an Australian Shiraz) reduced by two thirds along with fresh thyme. Lastly, I tossed a couple of ounces of blue cheese (Rosenborg, which is decent in a sauce and doesn't melt immediately — Point Reyes Blue would have been better) swirled it around, and poured it on the steak.

The steak was as tough as I'd expected, aging would have helped a lot, but you can't age individual steaks — too much wastage. Nevertheless, it was full of beefiness. The rich astringency of the wine combined with the lush, musty creaminess and salt of the cheese set off the beef perfectly. Fresh local tomatoes on the side. Ah...

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Friday, July 13, 2007

Pork Chops Florentine

alla Fiorintina

Pork Chops Florentine

A few weeks ago Doc/Rev Biggles of Meathenge posted a photo of a gorgeous grilled pork chop. Then a week ago I received the August 2007 issue of Cuisine at Home that offered a recipe for "Pork Chops Florentine-Style." This was just too much. I haven't eaten a grilled pork chop since last summer and it was clearly time to do it again.

The recipe in Cuisine at Home intrigued me. Bistecca alla Fiorentina is a famous dish made with a thick T-bone or Porter House steak. I started doing research on it.

Click to enlarge.

In this country we associate "Florentine" with spinach and cream sauces because of dishes such as Eggs Florentine or Chicken Florentine. The origins of this association aren’t clear, but according to one tale Catherine de Medici (yes, of those Medicis) brought spinach to the French Court and in honor of her Italian heritage, she called any dish containing spinach alla Fiorintina: "of the Florentines." Apocryphal or not, it probably was the French, those irrepressible arbiters of culinary terminology, who applied the term to any dish including spinach and cream. But no cuisine, particularly not one with the history of an Italian region behind it, can be so neatly encapsulated in a single preparation.

According to Lidia Bastianich, "[Steak Florentine] seems to have its origins with the many people from Northern Europe who fell in love with the countryside around Florence and decided to move to Tuscany. In fact, so many English relocated to the Chianti area that is has been dubbed 'Chiantishire.'" At any rate, ideally the beef for
Steak Florentine is from the Chianina cattle of the region, which were used primarily as draft animals and could be so large that a single steak might weight 6 pounds.

As I expected, the recipes were all over the map. If anyone ever tells you "this is the absolutely authentic and only way" to prepare a dish, put your boots on, the manure is getting deep. But lemon juice and olive oil were common ingredients in most of the recipes. So I took that as a given. The recipes were divided between marinating or not. I decided to marinate. I also decided not to include any acid in the marinade.

The two chops I had were grass-fed Berkshire hog and grass-fed meat tends to be tough. Marinating in acid would have made the meat even tougher. So instead of juice I elected to use lemon zest. To make sure the lemon got into the meat I heated the olive oil to a low simmer and infused it with the lemon zest, fresh oregano, and garlic. That was some damned-fine tasting oil.

Braciola di Maiale alla Fiorentina (Florentine Pork Chops)
Serves 2.

2 bone-in rib chops, at least 1 inch thick
1 cup olive oil
zest of two lemons (reserve lemons)
2 cloves garlic — minced
3 sprigs fresh oregano
1 tsp salt
1/2 tsp black pepper

Combine olive oil, lemon zest, oregano, garlic, salt, and pepper in a small skillet and cook over medium heat until it begins to bubble around the oregano sprigs. Remove from heat and let cool. Pour into a ziplock bag, add chops, and refrigerate for at least eight hours — turning occasionally to distribute marinade.

Remove pork from fridge an hour before cooking to warm up.

Build a hot fire in the grill. When the coals are ready, remove the chops from the marinade and dry on paper towels. Cook on each side for about 2 1/2 minutes over direct heat — until mahogany brown. Move chops off the direct heat but with the bone facing the heat and cover the grill and cook for four minutes more.

Serve with lemon wedges.
I had tabouleh with these chops — a perfect accompaniment. The flavors from the marinade are mild, but detectable, especially with a squeeze of fresh lemon juice on top. Encourage your eaters to season generously with salt and pepper. Encourage your eaters to gnaw the bones as I did, searching for that last delectable morsel.

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